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Dumbarton Oaks Medieval Library

Producing books of original medieval and Byzantine texts with facing-page translations.

January 26, 2018 by Nicole Eddy

Carmina Burana: Volume II

Carmina Burana, literally “Songs from Beuern,” is named after the village where the manuscript was found. The songbook consists of nearly 250 poems, on subjects ranging from sex and gambling to crusades and corruption. Compiled in the thirteenth century in South Tyrol, a German-speaking region of Italy, it is the largest surviving collection of secular Medieval Latin verse and provides insights into the vibrant social, spiritual, and intellectual life of the Middle Ages. The multilingual codex includes works by leading Latin poets such as the Archpoet, Walter of Châtillon, and the canonist Peter of Blois, as well as stanzas by German lyric poets. More than half these poems are preserved nowhere else.

A selection from Carmina Burana first appeared in Victorian England in 1884 under the provocative title Wine, Women and Song. The title Carmina Burana remains fixed in the popular imagination today, conjured vividly by Carl Orff’s famous cantata—no Medieval Latin lyrics are better known throughout the world. This new presentation of the medieval classic in its entirety makes the anthology accessible in two volumes to Latin lovers and English readers alike.

Related Titles
Carmina Burana: Volume I

Filed Under: Medieval Latin

January 26, 2018 by Nicole Eddy

Carmina Burana: Volume I

Carmina Burana, literally “Songs from Beuern,” is named after the village where the manuscript was found. The songbook consists of nearly 250 poems, on subjects ranging from sex and gambling to crusades and corruption. Compiled in the thirteenth century in South Tyrol, a German-speaking region of Italy, it is the largest surviving collection of secular Medieval Latin verse and provides insights into the vibrant social, spiritual, and intellectual life of the Middle Ages. The multilingual codex includes works by leading Latin poets such as the Archpoet, Walter of Châtillon, and the canonist Peter of Blois, as well as stanzas by German lyric poets. More than half these poems are preserved nowhere else.

A selection from Carmina Burana first appeared in Victorian England in 1884 under the provocative title Wine, Women and Song. The title Carmina Burana remains fixed in the popular imagination today, conjured vividly by Carl Orff’s famous cantata—no Medieval Latin lyrics are better known throughout the world. This new presentation of the medieval classic in its entirety makes the anthology accessible in two volumes to Latin lovers and English readers alike.

Related Titles
Carmina Burana: Volume II

Filed Under: Medieval Latin

January 26, 2018 by Nicole Eddy

The Life of Saint Neilos of Rossano

The Life of Saint Neilos of Rossano is a masterpiece of historically accurate Italo-Greek monastic literature. Neilos, who died in 1004, vividly exemplifies the preoccupations of Greek monks in southern Italy under the Byzantine Empire. A restless search for a permanent residence, ascetic mortification of the body, and pursuit by enemies are among the concerns this text shares with biographies of other saints from the region. Like many of his peers, Neilos lived in both hermitages and monasteries, torn between the competing conventions of solitude and community. The Life of Neilos offers a snapshot of a distinctive time when Greek and Latin monasticism coexisted, a world that vanished after the schism between the churches of Rome and Constantinople in 1054. This is the first English translation, with a newly revised Greek text.

Filed Under: Byzantine Greek

January 26, 2018 by Nicole Eddy

Poems: Venantius Fortunatus

The eleven books of poetry by Venantius Fortunatus include well-loved hymns, figure poems, epigrams on miracles, and elegies in the voices of abandoned or exiled women. The sixth-century poet began his career in northern Italy before moving to Gaul, where he wrote for the remainder of his life—praising kings and elites of the Merovingian dynasty and describing the natural scenery and society of his adopted homeland during the transition from late antiquity to the early Middle Ages. In his lively and inventive style, Fortunatus also addressed verses to religious figures such as his patron Gregory of Tours and to holy women such as Radegund, founder of the Convent of the Holy Cross in Poitiers, and Agnes, the Convent’s first abbess.

Fortunatus’s imaginative metaphors and wry, self-mocking humor ensure his place in the canon of Christian Latin poets. This volume presents for the first time in English translation all of his poetry, apart from a single long saint’s life in verse.

Filed Under: Medieval Latin

January 26, 2018 by Nicole Eddy

Christian Novels from the Menologion of Symeon Metaphrastes

Created in the tenth century, most likely as an imperial commission, the Menologion is a collection of rewritings of saints’ lives originally intended to be read at services for Christian feast days. Yet Symeon Metaphrastes’s stories also abound in transgression and violence, punishment and redemption, love and miracles. They resemble Greek novels of the first centuries of the Common Era, highlighting intense emotions and focusing on desire, both sacred and profane.

Symeon Metaphrastes was celebrated for rescuing martyrdom accounts and saints’ biographies that otherwise may have been lost. His Menologion, among the most important Byzantine works, represents the culmination of a well-established tradition of Greek Christian storytelling. A landmark of Byzantine religious and literary culture, the Menologion was revered for centuries—copied in hundreds of manuscripts, recited publicly, and adapted into other medieval languages. This edition presents the first English translation of six Christian novels excerpted from Symeon’s text, all of them featuring women who defy social expectations.

Filed Under: Byzantine Greek

January 26, 2018 by Nicole Eddy

A New Herodotos

This companion to the two-volume Dumbarton Oaks Medieval Library edition and translation of The Histories by Laonikos Chalkokondyles is the first book-length investigation of an author who has been poorly studied. Providing biographical and intellectual context for Laonikos, Anthony Kaldellis shows how the author synthesized his classical models to fashion his own distinctive voice and persona as a historian. Indebted to his teacher Plethon for his global outlook, Laonikos was one of the first historians to write with a pluralist’s sympathy for non-Greek ethnic groups, including Islamic ones. His was the first secular and neutral account of Islam written in Greek. Kaldellis deeply explores the ethnic dynamics that explicitly and implicitly undergird the Histories, which recount the rise of the Ottoman empire and the decline of the Byzantine empire, all in the context of expanding western power. Writing at once in antique and contemporary modes, Laonikos transformed “barbarian” oral traditions into a classicizing historiography that was both Greek and Ottoman in outlook. Showing that he was instrumental in shifting the self-definition of his people from Roman to the Western category of “Greek,” Kaldellis provides a stimulating account of the momentous transformations of the mid-fifteenth century.

Related Titles
The Histories, Volume I: Books 1–5, by Laonikos Chalkokondyles
The Histories, Volume II: Books 6–10, by Laonikos Chalkokondyles

 

 

Filed Under: Supplement

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