In the early 1140s, the Bavarian princess Bertha von Sulzbach arrived in Constantinople to marry the Byzantine emperor Manuel Komnenos. Wanting to learn more about her new homeland, the future empress Eirene commissioned the grammarian Ioannes Tzetzes to compose a version of the Iliad as an introduction to Greek literature and culture. He drafted a lengthy dodecasyllable poem in twenty-four books, reflecting the divisions of the Iliad, that combined summaries of the events of the siege of Troy with allegorical interpretations. To make the Iliad relevant to his Christian audience, Tzetzes reinterpreted the pagan gods from various allegorical perspectives. As historical allegory (or euhemerism), the gods are simply ancient kings erroneously deified by the pagan poet; as astrological allegory, they become planets whose position and movement affect human life; as moral allegory Athena represents wisdom, Aphrodite desire.

As a didactic explanation of pagan ancient Greek culture to Orthodox Christians, the work is deeply rooted in the mid-twelfth-century circumstances of the cosmopolitan Comnenian court. As a critical reworking of the Iliad, it must also be seen as part of the millennia-long and increasingly global tradition of Homeric adaptation.

Among Greek histories of the fall of Constantinople in 1453, the work of Laonikos (ca. 1430–ca. 1465) has by far the broadest scope. Born to a leading family of Athens under Florentine rule, he was educated in the classics at Mistra by the Neoplatonist philosopher Plethon.

In the 1450s, Laonikos set out to imitate Herodotos in writing the history of his times, a version in which the armies of Asia would prevail over the Greeks in Europe. The backbone of the Histories, a text written in difficult Thucydidean Greek, is the expansion of the Ottoman Empire from the early 1300s to 1464, but Laonikos’s digressions give sweeping accounts of world geography and ethnography from Britain to Mongolia, with an emphasis on Spain, Italy, and Arabia. Following the methodology of Herodotos and rejecting theological polemic, Laonikos is the first Greek writer to treat Islam as a legitimate cultural and religious system. He followed Plethon in viewing the Byzantines as Greeks rather than Romans, and so stands at the origins of Neo-Hellenic identity.

This translation makes the entire text of The Histories available in English for the first time.

Related Titles
The Histories, Volume I: Books 1–5, by Laonikos Chalkokondyles
A New Herodotos: Laonikos Chalkokondyles on the Ottoman Empire, the Fall of Byzantium, and the Emergence of the West, by Anthony Kaldellis

Among Greek histories of the fall of Constantinople in 1453, the work of Laonikos (ca. 1430–ca. 1465) has by far the broadest scope. Born to a leading family of Athens under Florentine rule, he was educated in the classics at Mistra by the Neoplatonist philosopher Plethon.

In the 1450s, Laonikos set out to imitate Herodotos in writing the history of his times, a version in which the armies of Asia would prevail over the Greeks in Europe. The backbone of the Histories, a text written in difficult Thucydidean Greek, is the expansion of the Ottoman Empire from the early 1300s to 1464, but Laonikos’s digressions give sweeping accounts of world geography and ethnography from Britain to Mongolia, with an emphasis on Spain, Italy, and Arabia. Following the methodology of Herodotos and rejecting theological polemic, Laonikos is the first Greek writer to treat Islam as a legitimate cultural and religious system. He followed Plethon in viewing the Byzantines as Greeks rather than Romans, and so stands at the origins of Neo-Hellenic identity.

This translation makes the entire text of The Histories available in English for the first time.

Related Titles
The Histories, Volume II: Books 6–10, by Laonikos Chalkokondyles
A New Herodotos: Laonikos Chalkokondyles on the Ottoman Empire, the Fall of Byzantium, and the Emergence of the West, by Anthony Kaldellis