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Dumbarton Oaks Medieval Library

Producing books of original medieval and Byzantine texts with facing-page translations.

February 28, 2016 by jes5970

Miracle Tales from Byzantium

Miracles occupied a unique place in medieval and Byzantine life and thought. This volume makes available three collections of miracle tales never before translated into English. Together, the collections offer an exceptional variety of miracles from the Byzantine era.

First are the fifth-century Miracles of Saint Thekla. Legendary female companion of the Apostle Paul, Thekla counted among the most revered martyrs of the early church. Her Miracles depict activities, at once extraordinary and ordinary, in a rural healing shrine at a time when Christianity was still supplanting traditional religion. A half millennium later comes another anonymous text, the tenth-century Miracles of the Spring of the Virgin Mary. This collection describes how the marvelous waters at this shrine outside Constantinople healed emperors, courtiers, and churchmen. Complementing the first two collections are the Miracles of Saint Gregory Palamas, fourteenth-century archbishop of Thessalonike. Written by the most gifted hagiographer of his era (Philotheos Kokkinos), this account tells of miraculous healings that Palamas performed, both while alive and once dead. It allows readers to witness the development of a saint’s cult in late Byzantium. Saints and their miracles were essential components of faith in medieval and Byzantine culture. These collections deepen our understanding of attitudes toward miracles. Simultaneously, they display a remarkable range of registers in which Greek could be written during the still little-known Byzantine period.

Filed Under: Byzantine Greek

February 28, 2016 by jes5970

Histories, Volume II: Books 3–4, Richer of Saint-Rémi

The Historia of Richer of Saint-Rémi (ca. 950–ca. 1000), an invaluable source for understanding tenth-century West Francia (present-day France), provides a rare contemporary account of the waning Carolingian dynasty, accession of Hugh Capet, and failed rebellion of Charles of Lorraine. Beginning in 888, the Historia surveys a tumultuous century in which two competing dynasties struggled for supremacy, while great magnates seized upon the opportunity to carve out their own principalities. Richer’s descriptive talents are on display as he tells of synods and coronations, deception and espionage, battles and sieges, disease and death, and even the difficulties of travel.

The Historia also sheds light on a controversial figure of the Middle Ages, the legendary cleric and scholar Gerbert of Aurillac. Gerbert, the dedicatee of the Historia, rose from humble beginnings to become archbishop of Rheims, archbishop of Ravenna, and eventually pope (as Sylvester II). The Historia contains a fascinating description of his teaching at the cathedral school of Rheims, where his innovations involved instruments such as the monochord, armillary sphere, and abacus.

Translated into English here for the first time, the Historia holds particular attractions for historians and for anyone interested in the cultural and intellectual developments in the Latin West around the year 1000.

Related Titles
Histories, Volume I: Books 1–2, by Richer of Saint-Rémi

Filed Under: Medieval Latin

February 28, 2016 by jes5970

Histories, Volume I: Books 1–2, Richer of Saint-Rémi

The Historia of Richer of Saint-Rémi (ca. 950–ca. 1000), an invaluable source for understanding tenth-century West Francia (present-day France), provides a rare contemporary account of the waning Carolingian dynasty, accession of Hugh Capet, and failed rebellion of Charles of Lorraine. Beginning in 888, the Historia surveys a tumultuous century in which two competing dynasties struggled for supremacy, while great magnates seized upon the opportunity to carve out their own principalities. Richer’s descriptive talents are on display as he tells of synods and coronations, deception and espionage, battles and sieges, disease and death, and even the difficulties of travel.

The Historia also sheds light on a controversial figure of the Middle Ages, the legendary cleric and scholar Gerbert of Aurillac. Gerbert, the dedicatee of the Historia, rose from humble beginnings to become archbishop of Rheims, archbishop of Ravenna, and eventually pope (as Sylvester II). The Historia contains a fascinating description of his teaching at the cathedral school of Rheims, where his innovations involved instruments such as the monochord, armillary sphere, and abacus.

Translated into English here for the first time, the Historia holds particular attractions for historians and for anyone interested in the cultural and intellectual developments in the Latin West around the year 1000.

Related Titles
Histories, Volume II: Books 3–4, by Richer of Saint-Rémi

Filed Under: Medieval Latin

February 28, 2016 by jes5970

Satires: Sextus Amarcius. Eupolemius

Composed in Germany by a monastic poet steeped in classical lore and letters, the Satires of Amarcius (Sextus Amarcius Gallus Piosistratus) unrelentingly attack both secular vices and ecclesiastical abuses of the late eleventh century. The verses echo Horace and Prudentius, are laced with proverbs and polemic, and portray vividly aspects of contemporary life—the foppery of young nobles, the vainglory of the nouveaux riches, the fastidiousness of debauched gluttons. This is the first English translation of the Satires.

The Eupolemius is a late-eleventh-century Latin epic that recasts salvation history, from Lucifer’s fall through Christ’s resurrection. The poem fuses Greek and Hebrew components within a uniquely medieval framework. At once biblical, heroic, and allegorical, it complements the so-called Bible epics in Latin from late antiquity and the refashionings of biblical narrative in Old English verse. It emulates classical Latin epics by Virgil, Lucan, and Statius and responds creatively to the foundational personification allegory by the Christian poet Prudentius. The poem was composed by an anonymous German monk, possibly the author who used the pseudonym Amarcius. Although it focuses on events of both the Hebrew Bible and New Testament, it is also rooted in its own momentous times.

Filed Under: Medieval Latin

February 28, 2016 by jes5970

The Vulgate Bible, Volume III: The Poetical Books

Compiled and translated in large part by Saint Jerome at the turn of the fifth century CE, the Vulgate Bible permeated the Western Christian (and later specifically Catholic) tradition from the early medieval period through the twentieth century. It influenced literature, visual arts, music, and education during the Middle Ages and Renaissance, and its contents lay at the heart of Western theological, intellectual, artistic, and even political history during that period. At the end of the sixteenth century, as Protestant vernacular Bibles became available, professors at a Catholic college first at Douay, then at Rheims, translated the Vulgate Bible into English, primarily to combat the influence of rival theologies.

Volume III presents the Poetical Books of the Bible. It begins with Job’s argument with God, and unlike other Bibles the Vulgate insists on the title character’s faith throughout that crisis. The volume proceeds with the soaring and intimate lyrics of the Psalms and the Canticle of Canticles. Three books of wisdom literature, all once attributed to King Solomon, also are included: Proverbs, Ecclesiastes, and Wisdom. Ecclesiasticus, an important deuterocanonical book of wisdom literature, concludes the volume. The seven Poetical Books mark the third step in a thematic progression from God’s creation of the universe, through his oversight of grand historical events, and finally into the personal lives of his people.

Related Titles
The Vulgate Bible, Volume I: The Pentateuch
The Vulgate Bible, Volume II, Part A: The Historical Books
The Vulgate Bible, Volume II, Part B: The Historical Books
The Vulgate Bible, Volume IV: The Major Prophetical Books
The Vulgate Bible, Volume V: The Minor Prophetical Books and Maccabees
The Vulgate Bible, Volume VI: The New Testament

Filed Under: Medieval Latin

February 27, 2016 by jes5970

Old Testament Narratives

The Old English poems in this volume are among the first retellings of scriptural texts in a European vernacular. More than simple translations, they recast the familiar plots in daringly imaginative ways, from Satan’s seductive pride (anticipating Milton), to a sympathetic yet tragic Eve, to Moses as a headstrong Germanic warrior-king, to the lyrical nature poetry in Azarias.

Whether or not the legendary Caedmon authored any of the poems in this volume, they represent traditional verse in all its vigor. Three of them survive as sequential epics in a manuscript in the Bodleian Library at Oxford. The first, the Old English Genesis, recounts biblical history from creation and the apocryphal fall of the angels to the sacrifice of Isaac; Abraham emerges as the central figure struggling through exile toward a lasting covenant with God. The second, Exodus, follows Moses as he leads the Hebrew people out of Egyptian slavery and across the Red Sea. Both Abraham and Moses are transformed into martial heroes in the Anglo-Saxon mold. The last in the triad, Daniel, tells of the trials of the Jewish people in Babylonian exile up through Belshazzar’s feast. Azarias, the final poem in this volume (found in an Exeter Cathedral manuscript), relates the apocryphal episode of the three youths in Nebuchadnezzar’s furnace.

Filed Under: Old English

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